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writing

Supporter's Column: Cindy Walters

A reflection about how the funding stream, Salix Finance, might benefit public sector projects.

writing

Paradise Lost

Jason Sayer's 'Paradise Lost' was the winning submission in the Design and the Climate and Biodiversity Emergencies category of the Architetcure Foundation's 2022 Writing Prize.

writing

Two staircases - reflections on the English and formality

Edward Jones considers Dixon Jones's efforts to redesign the entrances to two major London public buildings.

writing

'Part 3 has become an anachronistic roster of standards which no longer reflects the day-to-day realities of much of our work.'

Russell Curtis argues that binning Part 3 could enable the development of a more inclusive profession.

writing

'Dynamic models of practice are now essential to accommodate the changing economic model faced by future generations.'

Heinz Richardson of Jestico+Whiles agues for the benefits of employee ownership

writing

'So what does a building that has burped 70% less carbon in its creation look like?'

This is the year when architects have to get to grips with embodied carbon, says Maria Smith.

writing

FOR THE TIME BEING

Julian Lewis of East discusses how context flourishes in the spaces between spaces.

writing

Gross Ideas: Tales of Tomorrow's Architecture

A new book of architectural science fiction

writing

AMICABLE VOCATION

Patrick Lynch of Lynch Architects reflects on the tactile, emotional and addictive relationship architects often have with the changing world of practice.

writing

LET'S NOT FORGET ABOUT DEMENTIA

While his practice is developing designs for a new dementia facility, Roger Hawkins of Hawkins Brown is contending with the effects of the disease on his own family.

writing

I GET SO EMOTIONAL, BABY

James Soane of Project Orange reflects on the challenge to the profession presented by the current environmental and climate crisis.

writing

SECOND GENERATION TALL BUILDINGS IN LONDON

In the next Architecture Foundation Supporters column, Edgar Gonzalez (Brisac Gonzalez) explores the polarizing nature of designing a second generation of tall buildings.

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